Articles by "Lyrics"
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New Songs 2024 and Lyrics, Popular Songs, top songs, charts, billboard 100, trending, best song, love song, letras, lirik lagu, sarki sözleri
TWS (투어스), a South Korean indie band known for their refreshing sound and witty lyrics, returns with their latest single "첫 만남은 계획대로 되지 않아" (First Encounters Never Go According to Plan). The song, accompanied by a quirky and colorful music video, celebrates the spontaneity and unexpected joys of first encounters.

The song opens with a catchy guitar riff, setting the tone for a lighthearted and upbeat experience. TWS's vocals, Jang Woo-young and Shin Yong-jae, perfectly capture the excitement and awkwardness of a first encounter through their playful delivery. The lyrics, filled with relatable scenarios and humorous observations, paint a vivid picture of the unpredictable nature of love.

The music video, directed by Zanybros, brings the song's whimsical charm to life. The video follows the story of two young people who cross paths in unexpected ways, highlighting the serendipitous nature of love. The vibrant visuals, playful choreography, and comedic elements add to the overall fun and lighthearted atmosphere.

The song's message is simple yet powerful: sometimes the best encounters are the ones we least expect. "첫 만남은 계획대로 되지 않아" encourages us to embrace the spontaneity of life and be open to new experiences, even if they don't go according to plan.

The song's positive and uplifting message has resonated with audiences, garnering over 1 million views on YouTube within a week of its release. Fans have praised the song's catchy melody, relatable lyrics, and heartwarming message.

"첫 만남은 계획대로 되지 않아" is a refreshing addition to TWS's growing discography. The song's catchy melody, witty lyrics, and heartwarming message make it a perfect pick-me-up for anyone who needs a dose of positivity.

New Songs 2024 and Lyrics, Popular Songs, top songs, charts, billboard 100, trending, best song, love song, letras, lirik lagu, sarki sözleri
In the realm of Indian film music, Sai Charan Bhaaskaruni has carved a niche for himself with his soulful compositions. His latest creation, "Anjanadri," is not just a song; it's a devotional hymn dedicated to Anjana, the mother of the mighty Hindu deity Hanuman. This song isn't just another catchy tune within the film "Hanuman"; it's a powerful ode that delves into the strength, devotion, and unwavering love of a mother.

The song opens with a gentle melody played on the flute, establishing a sense of serenity and reverence. As Bhaaskaruni's vocals take center stage, they paint a vivid picture of Anjana's unwavering faith and dedication. Lines like "Anjanadri, jaganmata, bal Rama bhakti mata" (Anjanadri, mother of the world, devoted mother of Lord Rama) and "Putra prem ki murati" (Embodiment of love for her son) showcase the depth of her maternal bond with Hanuman.

The music itself is a beautiful blend of traditional Indian instruments and contemporary elements. The use of the veena, a string instrument, adds a touch of classical elegance, while the subtle electronic beats provide a contemporary touch. This fusion creates a soundscape that is both spiritually uplifting and emotionally resonant.

The lyrics, penned by Siva Shakthi Datta, are simple yet profound. They delve into the sacrifices and unwavering faith that define motherhood. Lines like "Sapno mein dekha Ram ko, phir Sita maa ko pas mein" (In her dreams, she saw Rama, then Sita by his side) and "Har janam mein Anjanadri, Hanuman tera putra hi" (In every birth, Anjanadri, Hanuman will be your son) highlight the eternal bond between mother and son, transcending time and circumstance.

The music video, directed by Prasanth Varma, beautifully complements the song's message. Lush visuals of landscapes and serene temples create a sense of spiritual grandeur. The portrayal of Anjana, played by Anusha Sundari, is one of quiet strength and unwavering devotion. The video perfectly captures the essence of the song, leaving viewers with a sense of peace and admiration for the power of a mother's love.

"Anjanadri" is more than just a song; it's a testament to the universal power of motherhood. It transcends religious boundaries and resonates with anyone who has experienced the love and sacrifices of a mother. Bhaaskaruni's soulful composition, coupled with Datta's poignant lyrics and Varma's captivating visuals, creates a powerful and moving experience that stays with you long after the song ends.

New Songs 2024 and Lyrics, Popular Songs, top songs, charts, billboard 100, trending, best song, love song, letras, lirik lagu, sarki sözleri
Jai Shree Ram Jai Shree Ram
Jai Shree Ram Jai Shree Ram

Hum Sab Hain Shree Ram Prabhu Ke
Jai Shree Ram Jai Shree Ram
Hum Sab Hain Shree Ram Prabhu Ke
Hum Sab Ke Hain Ram
Hum Sab Hain Shree Ram Prabhu Ke
Hum Sab Ke Hain Ram

Oonch Neech Ya Chhote Bade Ka
Koi Bhed Na Maana
Sabse Kiya Samaan Prem
Sabko Ek Jaisa Jaana

Oonch Neech Ya Chhote Bade Ka
Koi Bhed Na Maana
Sabse Kiya Samaan Prem
Sabko Ek Jaisa Jaana

Sabse Sam Vyavhaar Nibhaaya
Aaye Sabke Kaam
Avadh Bihari Raghunandan Ko
Baarambaar Pranaam

Jai Shree Ram Jai Shree Ram
Jai Shree Ram Jai Shree Ram

Ram Sa Putra Na Ram Sa Bhai
Ram Sa Mitra Na Daata
Ram Sa Putra Na Ram Sa Bhai
Ram Sa Mitra Na Daata

Rishton Ka Sammaan Sikhaya
Sabse Nibhaya Naata
Rishton Ka Sammaan Sikhaya
Sabse Nibhaya Naata

Prem Samarpan Shakti Gyaan Sang
Karm Kiya Nishkaam
Avadh Bihari Raghunandan Ko
Baarambaar Pranaam

Jai Shree Ram Jai Shree Ram
Jai Shree Ram Jai Shree Ram

Janmbhoomi Ka Maatrubhoomi Ka
Desh Ka Prem Sikhaya
Janmbhoomi Ka Maatrubhoomi Ka
Desh Ka Prem Sikhaya

Pran Ko Praanon Se Badhkar
Shree Ram Ne Sadaa Nibhaya
Pran Ko Praanon Se Badhkar
Shree Ram Ne Sadaa Nibhaya

Satya Dharm Aur Nyay Neeti Par
Chalte Rahe Aviram
Avadh Bihari Raghunandan Ko
Baarambaar Pranaam

Jai Shree Ram Jai Shree Ram
Jai Shree Ram Jai Shree Ram
Jai Shree Ram Jai Shree Ram
Jai Shree Ram Jai Shree Ram

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Dead Lyrics

darshan 47 de meriyan akhan karondiyan naare
banda thaan hi marju ga
banda thaan hi marju ga
ni mera naa lai di mutiyare
banda thaan hi marju ga
ni mera naa lai di mutiyare

sade anti hon tan ni jera kithon khareed leyona
mere naal hi hunde ne
naale sucha naale jiona
tin peerhiyan ton
ho tin peerhiyan ton
sade te chalde case ne saare
banda thaan hi marju ga
ni mera naa lai di mutiyare
banda thaan hi marju ga
ni mera naa lai di mutiyare

sada lehja turne da kise vi raaje naalon ghat ni
loki thar thar kambde ne jatt jadon dinda muchh nu vatt ni
sada lehja turne da kise vi raaje naalon ghat ni
loki thar thar kambde ne jatt jadon dinda muchh nu vatt ni

gippy naal rall gya ni
gippy naal rall gya ni
jp hath ni aona naare
banda thaan hi marju ga
ni mera naa lai di mutiyare
banda thaan hi marju ga
ni mera naa lai di mutiyare

New Songs 2024 and Lyrics, Popular Songs, top songs, charts, billboard 100, trending, best song, love song, letras, lirik lagu, sarki sözleri
Intro

Today we will decorate every street of Awadh
Today we will spread our eyelids at every step
Oh, today we will decorate every street of Awadh
Today we will wink every step
Today the dried trees will bear fruit

Chorus

Let the eyes get wet, how can we hide this happiness, Ram will come
Can't understand anything, where are the flowers Spread the flowers, Ram will come

Eyes get wet, how can we hide this happiness, Ram will come

Can't understand anything, where to spread flowers, Ram will come

Verse 1

Sarju water- Both land and water cried, the day Raghav became a stranger
Oh, when the hundred mountains of Birha melted, O Raghu Rai, then you came
This is the very moment, Niranjan, which Dashrath could not see

Pre-Chorus

The sorrows of seven births will be cut off
Today the banks of Sarju will smile
Peacocks will dance, Papihe will sing today

Chorus

Today these ten directions will celebrate as if they are omens, Ram will come
Let the eyes get wet, how can we hide this happiness, Ram will come
Sometimes play the drum, sometimes decorate the door, Ram will come
Can't understand anything, where should we spread the flowers, Ram will come

Verse 2

We will go and ask for stars from the sky
Kaushalya's son, we will spend everything on you
The tears that we withheld for 14 years will now be shed
Ram will come to Awadh, our Ram will come

Verse 3

Darker than the blue sky, as bright as millions of suns
Narayana has come to the throne of Shesh Naag
"Raghava, "Raghava" used to roam day and night from age to age.
Today the Lord has given me a blessing, my eyes are blessed

Bridge

Three worlds bow down and the music-men bow down
One moon, one sun, Ram in one world
Ram in one world

Chorus

Let these ten directions celebrate the omen today, Ram will come
Let the eyes get wet, how can we hide this happiness, Ram will come
Play the drum sometime, Sometimes decorate the door, Ram will come
Can't understand anything, where to light the lamp, Ram will come



आज गली-गली अवध सजाएँगे
आज पग-पग पलक बिछाएँगे
ओ, आज गली-गली अवध सजाएँगे
आज पग-पग पलक बिछाएँगे
आज सूखे हुए पेड़ फल जाएँगे
नैना भीगे-भीगे जाएँ, कैसे ख़ुशी ये छुपाएँ, राम आएँगे
कुछ समझ ना पाएँ, कहाँ फूल बिछाएँ, राम आएँगे
नैना भीगे-भीगे जाएँ, कैसे ख़ुशी ये छुपाएँ, राम आएँगे
कुछ समझ ना पाएँ, कहाँ फूल बिछाएँ, राम आएँगे
सरजू जल-थल, जल-थल रोए, जिस दिन राघव हुए पराए
ओ, बिरहा के सौ पर्वत पिघले, हे रघुराई, तब तुम आए
ये वही क्षण है निरंजन, जिसको दशरथ देख ना पाए
सात जन्मों के दुख कट जाएँगे
आज सरजू के तट मुस्काएँगे
मोरे नाचेंगे, पपीहे आज गाएँगे
आज दसों ये दिशाएँ जैसे शगुन मनाएँ, राम आएँगे
नैना भीगे-भीगे जाएँ, कैसे ख़ुशी ये छुपाएँ, राम आएँगे
कभी ढोल बजाएँ, कभी द्वार सजाएँ, राम आएँगे
कुछ समझ ना पाएँ, कहाँ फूल बिछाएँ, राम आएँगे
जाके आसमानों से तारे माँग लाएँगे
कौशल्या के लल्ला जी, तुम्हीं पे सब लुटाएँगे
१४ साल जो रोके, वो आँसू अब बहाएँगे
अवध में राम आएँगे, हमारे राम आएँगे
नील गगन से साँवले, कोटि सूर्य सा तेज
नारायण तज आएँ हैं शेष नाग की सेज
"राघव, "राघव" करते थे युग-युग से दिन-रैन
आज प्रभु ने दरस दिया, धन्य हुए हैं नैन
नतमस्तक हैं तीन लोक और सुर-नर करें प्रणाम
एक चंद्रमा, एक सूर्य, एक जगत में राम
एक जगत में राम
आज दसों ये दिशाएँ जैसे शगुन मनाएँ, राम आएँगे
नैना भीगे-भीगे जाएँ, कैसे ख़ुशी ये छुपाएँ, राम आएँगे
कभी ढोल बजाएँ, कभी द्वार सजाएँ, राम आएँगे
कुछ समझ ना पाएँ, कहाँ दीप जलाएँ, राम आएँगे

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30 CADEADOS

(Denner Ferrari / William Bruno / Gusttavo Lima / Reno Poeta / De Angelo)

Cê tinha uma lei decretada
Que não voltava por nada
Até cê esqueceu
Que quando o assunto é eu
Seu coração não tem palavras

Cê tem que parar de arrumar essas confusão
De falar que não, de falar que não vai me querer
Cê sabe, isso nunca vai acontecer

Melhor cê desistir de desistir de mim
Melhor cê desistir de insistir no fim

Vem

Você me bloqueou
De número mudou
As fotos apagou
Tentou, tentou, tentou
Mas nada resolveu
Não me esqueceu

Você me bloqueou
De número mudou
As fotos apagou
Tentou, tentou, tentou
Mas nada resolveu
Não me esqueceu

Cê pode botar trinta cadeados no seu coração
Que quando eu chego perto é cadeado e roupa no chão

Cê tem que parar de arrumar essas confusão
De falar que não, de falar que não vai me querer
Cê sabe, isso não vai acontecer

Melhor cê desistir de desistir de mim
Melhor cê desistir de insistir no fim
Você me bloqueou
O número mudou
As fotos apagou
Tentou, tentou, tentou
Mas nada resolveu
Não me esqueceu

Você me bloqueou
De número mudou
As fotos apagou
Tentou, tentou, tentou
Mas nada resolveu
Não me esqueceu

Cê pode botar trinta cadeados no seu coração
Que quando eu chego perto é cadeado e roupa no chão

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Tyga's latest music video, "Sensei," throws listeners into a world of contradictions, blurring the lines between desire, possessiveness, and vulnerability. It's not just a catchy hip-hop track; it's a complex exploration of male emotions, filtered through a lens of bravado and insecurity.

The video opens with Tyga bathed in spotlight, rapping lines like "So if I get jealous I can't help it, I want everybody, everybody. You're the owner of our hearts, so if I get selfish I can't help it, come on." The beat, a mix of trap and R&B influences, pulsates with energy, mirroring the intensity of his lyrics. This initial portrayal presents a domineering figure, possessive of love and seeking complete control.

But as the video progresses, cracks begin to show in the facade. We see him lost in thought, grappling with internal struggles. Close-up shots reveal vulnerability in his eyes, hinting at the anxieties that fuel his possessiveness. The lyrics, too, shift subtly, with lines like "Want everything that's on my mind, baby, I need you by my side" revealing a deeper yearning for connection and intimacy.

This push and pull between possessiveness and vulnerability creates a complex emotional tapestry. While the song glorifies complete ownership and control of love, the music video suggests a deeper truth: this desire stems from a fear of loss and a longing for genuine connection.

The choice of "Sensei" as the title adds another layer of meaning. Traditionally, a sensei is a wise and respected teacher. But in this context, the title seems ironic. Tyga isn't a master of emotions; he's struggling with them just like anyone else. This self-awareness, however subtle, adds depth to his character and invites empathy from the listener.

Visually, the video employs contrasting imagery. Luxurious scenes juxtapose with gritty cityscapes, reflecting the internal conflict within Tyga. The use of dark shadows and close-ups adds a sense of introspection, allowing viewers to peek into his emotional state.

"Sensei" isn't without its critics. Some argue that it romanticizes unhealthy possessiveness, potentially normalizing controlling behavior in relationships. Others find the portrayal of women stereotypical and objectifying.

However, the song's merit lies in its complexity. It doesn't shy away from portraying the darker aspects of male desire, and in doing so, sparks important conversations about healthy relationships and emotional vulnerability.

Ultimately, "Sensei" is more than just a song; it's a reflection of the messy realities of love and desire. It challenges us to confront our own vulnerabilities and recognize the complexities of human emotions, both beautiful and ugly. Whether you find it problematic or thought-provoking, one thing is certain: "Sensei" won't leave you indifferent.

New Songs 2024 and Lyrics, Popular Songs, top songs, charts, billboard 100, trending, best song, love song, letras, lirik lagu, sarki sözleri
Tamer Hosny, the Egyptian megastar, teams up with rising talent Zap Tharwat for "Maalish" (Doesn't Matter), a song that blends soulful melodies with relatable lyrics, offering solace and encouragement in the face of life's challenges. This isn't just another chart-topping tune; it's a heartfelt message of resilience and finding strength in vulnerability.

From the opening piano chords, a melancholic yet hopeful mood envelops the listener. Hosny's vocals, smooth and emotive, paint a picture of someone wrestling with internal struggles. Lines like "W kalby wara2ya w ana batalt, wa btaamel eh ana mesh baftarit" (My heart is restless, I'm struggling, and what should I do, I don't know) resonate with anyone who has ever felt lost or overwhelmed.

Zap Tharwat enters the scene with a complementary rap verse, offering a perspective of strength and understanding. He sings, "Maalish, el 7ayat kaza w albi aaraf" (Doesn't matter, life is like that, and my heart knows), injecting a dose of hope into the melancholic atmosphere. This interplay between vulnerability and reassurance defines the song's emotional core.

The music video, directed by Tamer Hosny himself, amplifies the song's message. We see Hosny walking through deserted streets, reflecting on his struggles. Intercut scenes showcase Zap Tharwat performing with a band, exuding energy and optimism. This visual dichotomy symbolizes the internal battle between despair and hope, ultimately leaving viewers with a message of overcoming challenges.

The song's beauty lies in its simplicity. The lyrics are relatable yet poetic, using everyday language to express complex emotions. Lines like "Baftaris tamshil eh bardo, ana wa iyak" (Don't let them walk all over you, me and you) offer a message of self-worth and empowerment.

Musically, "Maalish" is a blend of traditional Egyptian melodies and modern pop influences. The soulful piano chords create a nostalgic atmosphere, while the subtle electronic beats add a contemporary touch. This fusion creates a soundscape that's both familiar and engaging, appealing to a wide range of listeners.

Ultimately, "Maalish" is more than just a song; it's a comforting embrace. It reminds us that everyone faces challenges, but we don't have to go through them alone. With a touch of vulnerability, a dash of hope, and the support of others, we can overcome any obstacle.




معلش .. استحمليني
انتي بس اللي بتديني فرصه احكي وتسمعيني
معلش .. استحمليني
عارفك لما تواجهيني مش بتضعفي وتجامليني
لا بتزهقي ولا بتملي
سمعاني وكتمالي سري
صدقك بس هو فعلاً

حقيقي اللي فاضلي
قالوا الصديق وقت الضيق
دلوقتي بقى سببه
متسألش الحبيب ليه مشيت
عشان حضر خلاص عذره
هتموت مرتين لو قلبك
رجع للي خذلوه .. آه
ميت شكراً للي وجعنا
وخان فجأه الامانه
كده كنا هنتعب اكتر
لو كان طول معانا
شكراً للي علمنا

نهاية التقدير اهانه
الغدر مجاش غير من اللي
بحكيلهم اوجاعي
فكروني بالغنم
اكمل ولا مفيش داعي
يعيش عمره خايف من الديابه

وفي النهايه ياكله الراعي

معلش .. استحمليني
ويا جمالك وانتي في حالك
ساكته بتسمعي
ولا عمرك اشتكيتي رغيي ولا مني بتصدعي 2x

شكراً تعبتك معايا

صبحي على خير يا مرايا
معلش .. محدش فينا بيتعلم ببلاش
اتجرح واتعلم ولا ابقى ساذج وسط الناس
ما بلاش تستنى اي حاجه من اي حد
صاحبك بجد ميسيبكش لو الوقت شد
ولا اقولك كويس انه سابك اعرف قيمة غيابك
العيار اللي ميقتلش يقويك ده احنا في وسط غابه

يمكن عشان غلابه ( آه )
معلش .. طولت عليكي في الكلام شويه
تقلت عليكي عشان عارف انتي اللي باقيه ليا
دنيا وضاقت عليا مفضلش ليا غير الاغاني والمرايه ديا ( والمرايه ديا )
افضفض ليها وتسمعني ( تسمعني )
مفيش مكان في الكون يساعني ( يساعني )

كان نفسي اقول اللي جوايا واقول لمين ده كله باعني ( كله باعني )
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"PASSADA DE MÃO"

(MATEUS FÉLIX/ TIAGO MARCELO/ GUI FERRAZ/ LEO SOUZZA)

Noite de ontem
Se eu te ligo não me atende
manda um áudio não responde
Tá com quem ?
cê tá onde?
Aí eu penso em me afastar por que igual você tem de monte
Aí eu lembro da noite de ontem

Cê fez gostoso de um jeito que só você faz
Fazer o que se todo eu tô querendo mais
E tô querendo mais
Inclusive agora
Cê passa em casa que horas?

Eu já pensei em te largar
Mas as passada mão compensa as raiva que eu vou passar

Então passa
então passa
Passa a língua na minha boca
Então tira então tira
a minha paz e a minha roupa

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Lyrics:

I did it for love

Ride the highway, rock the bus (rock it, rock it)

Why my house look like army plus (ready up, ready up)
Walk in the strip, she's gonna make it bust (bust it ooooo… bust it)
I do damage (bust it) and n**ga can't stand it (bust it)
Psycho bandit (bust it)

Like its Marilyn Manson (bust it)

Got the cash, advance it (bust it)
Get the sprite and enhance it (bust it)
Pull the wock out the pantry (bust it)
Take a sip and I’m dancin’ (bust it)
She pop perc like a plan b (bust it)
Oh she lit like a candle, boot it up in the car seat
Hold a n**ga for ransom, want it back better call me (bust it)

Its whatever, I’m geeked

Bout to punch at the party (wooo)

You n**gas aint fly, this shit lookin’ dummy

I popped to get fried, I look like a mummy
I’m gettin’ this cash, from Monday to Sunday

I guess you won't talk if it ain't about the money
My boys in the trap, and it jump like a bunny
Got pounds and pills it ain't nothin’ funny
From this side and I keep that bitch comin’

If I gotta reach up I’m gonna keep that bitch dumpin’
The way I slide in that coupe boy I keep that bitch hummin’
We went and rock this bitch all the way to the summer
Get deep in the pot, get deep like a plumber
Why would I keep her, I never went love her
I just went fucked her and gave to my brother
Eat her for dinner and I’ll eat it her for supper
Why would you keep her lil n**a you a sucka
Why would you keep her lil n**a you a sucka

I did it for love

Ride the highway, rock the bus (rock it, rock it)
Why my house look like army plus (rake it up, rake it up)

Walk in the strip, she's gonna make it bust (bust it ooooo… bust it)
I do damage (bust it) and n**ga can't stand it (bust it)
Psycho bandit (bust it)
Like its Marilyn Manson (bust it)

Got the cash, advance it (bust it)
Get the sprite and enhance it (bust it)
Pull the wock out the pantry (bust it)
You n**as aint fly, this shit lookin’ dummy
I’ll probably get fried, I look like a mummy
I’m gettin’ this cash, Monday through Sunday
I guess you won't talk if it ain't about the money
My boys in the trap, and it jump like a bunny
Got pounds and pills it ain't nothin’ funny

From this side and I keep that bitch comin’
If I gotta reach up I’m gonna keep that bitch dumpin’
br> Riding that bitch gotta tv huh

Belt on that boy like a bebe huh
Hide in the bush you won’t see me huh..
Put you under water like seaweed huh
Why lil n**ga be me huh
45 up when i’m creepin’ huh

Drive by shoot in the demon huh

Fuck what you sayin’ im geekin huh

Ooooooooooo…

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Cris MJ takes listeners on a sun-drenched cruise with his latest single, "Daytona," a visualizer that seamlessly blends Latin rhythms with introspective lyricism. This isn't just a party anthem; it's a sonic journey fueled by nostalgia, fleeting moments, and the bittersweet beauty of chasing dreams under the open sky.

The visualizer opens with the smooth hum of an electric guitar, instantly transporting us to a coastal highway bathed in the golden glow of dusk. Cris MJ, clad in white, exudes a relaxed confidence as he cruises in a classic car, the wind whipping through his hair. The visuals, while minimalist, perfectly capture the song's essence of freedom and yearning.

The melody, a blend of reggaeton and pop influences, is captivatingly catchy. The beat keeps your head nodding while the underlying bassline provides a subtle melancholic undertone. This duality reflects the song's emotional core: the joy of living in the moment intertwined with the bittersweet awareness of its impermanence.

The lyrics, sung in Spanish, paint a vivid picture of fleeting encounters and lost love. Lines like "Te conocí a las tres, el sol ya se caía" ("I met you at three, the sun was already setting") and "Bailamos toda la noche, bajo un cielo estrellado" ("We danced all night, under a starry sky") capture the fleeting beauty of a chance encounter. But beneath the surface lies a hint of sadness, a longing for something more than a temporary escape.

Cris MJ's vocals are both smooth and expressive. He effortlessly navigates the song's dynamic emotions, seamlessly transitioning from playful verses to melancholic choruses. His voice carries a depth that resonates with listeners who have experienced the joys and heartbreaks of fleeting connections.

The visualizer, directed by Nicoclás Videla, plays with contrasting colors and angles, mirroring the song's emotional complexities. Bright, sun-drenched scenes juxtapose with darker, introspective moments, reflecting the bittersweet nature of chasing dreams and experiencing lost love.

"Daytona" isn't just a song; it's a mood. It's the feeling of cruising down a coastal highway with the wind in your hair, lost in the moment yet aware of the passing time. It's the bittersweet beauty of fleeting connections and the bittersweet pursuit of dreams.

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Phan Mạnh Quỳnh, the acclaimed Vietnamese singer-songwriter, returns with a poignant and reflective ballad titled "Biết Ơn Bởi Đang Ở Lại" ("Grateful to Be Here"). This song isn't just another melancholic tune; it's a heartfelt ode to gratitude, introspection, and the hope for new beginnings as the year draws to a close.

The song opens with a gentle acoustic guitar melody, setting the tone for Quỳnh's warm and soothing vocals. He sings about looking back on the past year, acknowledging both the joys and sorrows that came with it. Lines like "Nhìn lại một năm đã qua, bao điều vui buồn kề bên" ("Looking back on the past year, many joys and sorrows side by side") and "Có những lúc nước mắt đã rơi, vội vàng thời gian thấy mau cánh đông" ("There were times when tears fell, time passed quickly, like winter wings") reflect a sense of quiet contemplation and acceptance.

The chorus, which translates to "Grateful to be here, still seeing the spring and new school will start again," is a powerful reminder of the importance of finding gratitude even in the midst of challenges. It's a message of hope and resilience, encouraging listeners to embrace the new year with a positive outlook.

Quỳnh's lyrics are poetic and evocative, painting vivid images of the changing seasons and the passage of time. He uses metaphors like "mùa xuân" ("spring") and "cánh đồng" ("field") to symbolize new beginnings and hope. The song's gentle melody perfectly complements the introspective lyrics, creating a sense of calm and serenity.

The music video, directed by Gin Trần, captures the essence of the song through its simple yet evocative visuals. We see Quỳnh performing the song in various locations, including a field of flowers, a park, and a rooftop. The video also features shots of everyday people going about their lives, which emphasizes the song's universal message of gratitude.

"Biết Ơn Bởi Đang Ở Lại" is a beautiful and timely reminder to appreciate the simple things in life. It's a song that encourages us to look back on the past year with gratitude and to embrace the new year with hope and optimism. Quỳnh's heartfelt lyrics and soothing vocals, combined with the song's gentle melody and evocative visuals, make it a powerful and moving piece of art.

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LYRICS

Di mochkila
La moch keda
Ana galbi dab dab dab keda

Ya nari nari
7elwa awi awi
Ya nari nari
7elwa awi

Stanitek ana
Ch7al men sana
L7ob yban men ghir klam

Chaftek keda
Ntiya keda
7assit ana belgharam

Daba gouli
Liya gouli
Nkhamem toul lil ya habibi

Je fais comme si
Wala 7aga
Wana f nafsi
Y a des dégâts

Habito howa
Wa ghiro howa
Saken fi albi
Fi albi gowa

Et même si tu m'aimes
J'attends comme même
derrière ce sourire se cachent des problèmes

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Letra:

Y este tema va dedicado para todos los que alguna vez sufrimos el corazón roto Y dice algo como
Lo que daría por volver a cuando es que tu me querías
Llego a casa y cada vez esta mas fría
Y mi cama hoy se siente tan vacía
No mentia cuando te decía
Tu y yo
No quiero nada menos que seas tu y yo No quiero que termine lo de tu y yo
No quiero nada menos que seas tu Y que me falte todo y no tenga nada Y estemos juntos otra madrugada
Y me falte todo y no tenga nada
Y estemos solos otra madrugada
Y estar contigo se siente como un hogar
Las noches son mas frías cuando tu no estas Me duele pensar que otro ocupe mi lugar
Y aunque quieras dudar
No mentia cuando te decía
Tu y yo
No quiero nada menos que seas tu y yo
No quiero que termine lo de tu y yo
No quiero nada menos que seas tu
Y que me falte todo y no tenga nada
Y estemos juntos otra madrugada
Y me falte todo y no tenga nada
Y estemos solos otra madrugada
Y que me falte todo y no tenga nada Y estemos juntos otra madrugada
Y me falte todo y no tenga nada
Y estemos solos otra madrugada

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Hussain Al Jassmi - Marrah Shukran (EXCLUSIVE) | 2024


كلمات : عبدالله الملحم
الحان ياسر بو علي

توزيع زيد نديم

كلمات الاغنية مررة شكراً ..
ع المسافة ..
والكلافة ..
والفراق اللي أعافه !
ع اللي فيني ..
وفـْ سنيني !
وكل شي بينك وبيني !

إنت ماقصرت فعلاً ..


مررة شكراً ____ شوف لك غيري وعاشر ..
ماني أوّل .. ماني عاشر ..
ياكثر عشّاق ذابوا ..
في اللي حبّوهم وغابوا ..
وش نقص منهم حبيبي ..
غير جرح .. ومنْه طابوا ..


هالحكي آخر شعوري وصار ردّك مو ضروري ..

السكوت اليوم أهوَن

مررة شكراً
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Piel (Letra/Lyrics)

Llevo mucho tiempo queriendo
Que esto se dé
Hasta cuando tomo te pienso
No sé por qué

Mi boca solo quiere besarte
Mis ojos solo quieren mirarte
Dame un chance
Que hasta los bandidos
Se enamoran también

Sólo déjame ser
El que con ganas te come la piel
Pero también el que te dice mi amor
Cómo amaneció, como durmió usted
Solo dejame ser
El que con ganas te come la piel
Pero también el que te dice mi amor
Cómo amaneció, como durmió usted

De mi mente
No te saco más
Cuando estas conmigo, cuántos tragos te tomás
Siento tantas cosas con los besos que me das
No te vayas

Quiero estar con vos
Y que seas lo primero que yo vea al amanecer
Mamita con vos tengo tantas cosas por hacer
No te quiero perder

Ven y mátame esta soledad
Pasemos tiempo de calidad
Con vos pasan volando las horas
Cuando estemos lejos
Te vas a acordar

El cielo yo te voy a bajar
Pero eso no serviría de na
Porque vos bebé sos una estrella
Una mujer tan bella
Como ya no hay

Sólo déjame ser
El que con ganas te come la piel
Pero también el que te dice mi amor
Cómo amaneció, como durmió usted
Sólo déjame ser
El que con ganas te come la piel
Pero también el que te dice mi amor
Cómo amaneció, como durmió usted

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DJ Bachata - Juan Luis Guerra 4.40

Tú me invitaste a una fiesta, niña
Para saber en qué yo estaba
Si de chiquito en mi casa me bailaban

Y yo, llamé a mi primo Juan Pa'
Que me enseñara un paso
De esos que están de moda y usan los muchachos
Y me aprendí un merengue, una salsa y un bolero
Y para mi consuelo

Cuando menos lo esperaba
Un DJ puso bachata, amor
Y bailamos pegaditos
En el tocadiscos donde gira el corazón

Y tus ojos me miraban
Y reíamos sin ton ni son
Y empezamos a dar vueltas
Como dos cometas con luces tecnicolor
Con luces tecnicolor

Y yo, me puse mi chaleco con gel en el cabello
Y repasé los pasos de Juan Pa' en el espejo
Y me aprendí un merengue, una salsa y un bolero
Y para mi consuelo

Cuando menos lo esperaba
Un DJ puso bachata, amor
Y bailamos pegaditos
En el tocadiscos donde gira el corazón

Y tus ojos me miraban
Y reíamos sin ton ni son
Y empezamos a dar vueltas como
Dos cometas con luces tecnicolor
Con luces tecnicolor
Oh, oh, oh, oh, oh

Cuando menos lo esperaba
Un DJ puso bachata, amor
Y bailamos pegaditos
En el tocadiscos donde gira el corazón

Y tus ojos me miraban
Y reíamos sin ton ni son
Y empezamos a dar vueltas
Como dos cometas con luces tecnicolor

Cuando menos lo esperaba
Un DJ tocó bachata amor
Cuando menos lo esperaba
Un DJ tocó bachata, amor, amor

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Cactus - Belinda

Hoy quiero sacar to' esto que lleva cargando mi corazón
Porque la terapia ayuda, pero la música sana más, cabrón
Y, al final, no hay bien sin mal
Y el dolor se pasará
Ya volví, Beli
Beli, bélica

Mi pecho no es bodega, todo pa' fuera
Lo que me hace mal, se va pa' la mierda
No fuiste lo que esperé de ti
Carajo, cómo me hiciste sufrir

Dicen que todo sana con tequila
Bebo y nomás le echo sal a la herida
Por lo menos bailo esta canción
Y salud a las que están igual que yo

Bebo, salud por tu recuerdo
No veo el olvido lejos
Me costó mil pedas no llamarte cruda y hacerme la dura

Bebo, y salud por to' los besos
¿De qué sirvió tatuarte mis ojos
Pa' luego borrarlos con otros?

No todo fue lo que me mostrabas
Si supieran cómo tú me tratabas
Una piedra que no fue real
En un compromiso para aparentar

A lo hecho, pecho, con o sin despecho
A nuestro amor no le diste el respeto
Yo nunca dije nada de ti
Y con mucha clase yo me fui

Bebo, salud por tu recuerdo
No veo el olvido lejos
Me costó mil pedas no llamarte cruda y hacerme la dura

Bebo, y salud por to' los besos
¿De qué sirvió tatuarte mis ojos
Pa' luego borrarlos con otros?

(Y, al final, no hay bien sin mal)
(Y el dolor se pasará)

Uh-uh-uh, uh-uh, uh-uh
Uh-uh-uh, uh-uh, uh-uh
Uh-uh-uh, uh-uh, uh-uh



Released on January 15, 2024, Belinda's "Cactus" marks a much-anticipated return for the beloved Mexican pop icon. This captivating single, paired with a visually stunning music video, is more than just a catchy song; it's a powerful statement about personal growth, resilience, and the bittersweet beauty of love.

From Princess of Pop to Thorny Muse:

Belinda, affectionately known as the "Princess of Pop," has consistently pushed boundaries throughout her career. "Cactus" signifies a bold evolution, both musically and thematically. The song departs from her signature pop sound, embracing a darker, more introspective electronic dance vibe. This shift reflects Belinda's artistic maturity and willingness to explore new sonic landscapes.

Lyrics Like Prickling Poetry:

The lyrical tapestry of "Cactus" is woven with raw emotion and veiled metaphors. Lines like "Hoy quiero sacar todo esto que lleva cargando mi corazón" ("Today I want to take out everything my heart carries") and "Soy un cactus, florezco en la adversidad" ("I'm a cactus, I bloom in adversity") depict a journey of self-discovery, navigating the thorns of heartbreak and emerging stronger. The cactus itself serves as a powerful symbol, representing resilience and the ability to thrive despite harsh conditions.

A Visually Striking Bloom:

The music video, directed by the talented Flakka duo, brings Belinda's vision to life in a stunning visual narrative. We see her traversing a fantastical desert landscape, surrounded by cacti and otherworldly creatures. The vibrant colors and surreal imagery mirror the emotional journey of the song, highlighting both the pain and the beauty of transformation.

Beyond Personal Narrative:

While "Cactus" appears to be a personal reflection on Belinda's own experiences, it resonates with a universal message. The song speaks to anyone who has faced heartbreak, self-doubt, or the challenges of finding their own voice. It's an anthem of empowerment, encouraging listeners to embrace their individuality and bloom even in the face of adversity.

A New Era for Belinda:

With "Cactus," Belinda has successfully shed her past skin and emerged as a multifaceted artist. The song marks the beginning of a new era, showcasing her artistic growth, willingness to experiment, and ability to connect with listeners on a deeper level.

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مرقت سنة وهيني أنا
حامل حنان الكون
يا عرق عيني احملا

خبيا بين جفون
هاتي ايدك نمشي سوا
خلهم يحكوا مجنون
نار لشعل أنا

لابنتي كل شي بيهون
يابا يابا، يابا يابا
يابا يابا، يابا يابا

يابا
وعغيابا ارجعلا بدّا
وحضينا كان المخدة
شو مشينا والعمر عدا

كنت بقلبا سلطان
شفتك ضعت أنا بنظرة
حبيتك شو كفرت كفرة
نظراتك كانولي كسرة

شلوا قلبي يا ناس
بأرض الله الواسعة
وما دست الا عقلبي
بطلع عالسما السابعة

بس لا تكوني بقلبي
يا بنت لو صحتي تعا
لجيكي أنا بربي
لك نار لاشعل معا

بس لو دخلت بحربي
تقبرني صاعت بالقلب
زرعت رمشة بالروح
ربحت المعركة بالحرب

غدرت وصاحت روح
ضمتني قالت اقترب
نزلوا دموعي بالنوح
من عرق شفافه اسكرت

طبعة روجا ما تروح
يابا يابا، يابا يابا
يابا يابا، يابا يابا

يابا
وعغيابا ارجعلا بدّا
وحضينا كان المخدة
شو مشينا والعمر عدا

كنت بقلبا سلطان
شفتك ضعت أنا بنظرة
حبيتك شو كفرت كفرة
نظراتك كانولي كسرة
شلوا قلبي يا ناس

وائل ادريس - ارجعلا بدا
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Stuck In The Middle - BABYMONSTER

All this time we’ve been together
And I still don’t know how you feel
Sometimes I wish you’d just
Talk to me

Maybe it’s make believe
Maybe it can be true
I try to tell myself
I’m not in love with you
I thought that I knew everything
I guess I don’t know anything, yeah
I get emotional
And hypothetical
Wondering if there are all kinds of things
I’m not supposed to know
I try my best to let it go
Baby then you bring me back
Bring me back

You lift my feet off of the ground
Keep me spinning around and around
I don’t ever wanna come down
From your arms

You tell me that you need me
Then you walk away
Keep promising forever
With the words you say
It’s true
Don’t know what I’m supposed to do

I’m stuck in the middle with you you you
With you you
Oh boy you got me really confused
Don’t know what I’m supposed to do
I’m stuck in the middle with you

You were the spark
Light in the dark
Gave you my everything
Pulling me in
Pushing me out
Pulling me back again
Don’t know if your mind is made up
But I know that nobody wanna be stuck
You are the one that I want
All I can promise you now is my love

You say you want me
You say you care
When we’re together
Are you even there
And you
Gave me the keys (to your heart)
Yeah you
Made me believe (from the start)
Now all that I know is
I got all this love I won’t take back

My love
My love
My love
My love

You lift my feet off of the ground
Keep me spinning around and around
I don’t ever wanna come down
From your arms

You tell me that you need me
Then you walk away
Keep promising forever
With the words you say
It’s true
Don’t know what I’m supposed to do
I’m stuck in the middle with you you you
With you you
Oh boy you got me really confused
Don’t know what I’m supposed to do
I’m stuck in the middle with you

I’ve tried and I’ve tried to be good to myself
Good for my health
Is it selfish
If I’m constantly turning to you
To you
If you knew what I’m feeling right now
You’d comfort my heart

You tell me that you need me
Then you walk away
Keep promising forever
With the words you say
It’s true
Don’t know what I’m supposed to do

I’m stuck in the middle with you you you
With you you
Oh boy you got me really confused
Don’t know what I’m supposed to do
I’m stuck in the middle with you